Nick Swardson’s Pretend Time: Initial Thoughts

Thursday, October 21st, 2010

So………………..

I’ve loved Nick Swardson for a while. His character on Reno 911 is one of the best, and his stand-up specials have been funny too. Even when I found out he was straight, I still liked him.

So I was super excited to see he’s got a show.

Until I watched it.

Two episodes in, I’d say the overall quality level of the skits is a 5.5 out of 10, with some as high as 7.5, but none that are amazing, and quite a few that are 2.0.

He’s said in an interview “I have this memo thing on my phone that’s packed with horrible ideas, immature jokes.”

And it feels like a lot of these came straight outta that phone memo.

I’ll keep watching, but not forever.

(in that same interview, he was asked about how come he plays gay so much, and said: “It literally just snowballed. It was just a random choice for the Reno 911 character… then Art School Confidential all of a sudden got greenlit, and I was doing Scotty Kangaroojus on The Showbiz Show—but you’ll never see him again… I don’t want to do any more gay characters. I just don’t want to repeat myself. I don’t want my MySpace clips to all be like, “Heeey, guuuys!” … it’s really just a personal, creative choice. None of my characters are gay anymore…except for in Chuck and Larry, where I’ll be playing Jessica Biel’s gay brother”).

“Sex Ed” - 25-word “The Office” Episode Review

Wednesday, October 20th, 2010

Season’s weak so far, but HERE’S the show I love. Hilarious, uncomfortable, inappropriate, and then - suddenly - deeply moving. Michael’s voice mail to Holly is incredible.

My Hometown “Has No Upstate Peers” When it Comes to Homelessness

Monday, October 18th, 2010

My hometown paper (the surprisingly good Register-Star) just ran a solid article about the state of homelessness in the county where I grew up.

The prompt for the article is a forthcoming report on that subject, from William Moon, “the Social Services Commissioner of Delaware County, who has over 35 years of experience in the field.” On principle, I disapprove of this methodology - an “expert” agency bureaucrat who (presumably) has no direct personal experience of the problem he’s studying, developing an analysis and set of recommendations for how to deal with it. Unless he’s incorporating extensive, substantive involvement from the homeless men and women of Columbia County, I believe his report will have a lot of blind spots. But I like a lot of what he says, and he minces words only the slightest bit when it comes to the cause of the problem - rich folks moving in:

“For years there had been an adequate supply of cheap housing in the city of Hudson,” the report states. “In the 1990s, this pattern began to shift as older tenement houses in Hudson were bought by individuals more interested in classic architecture than in using them as rental housing on the low end of the housing market.”

And if Hudson takes this guy’s advice in one important area, it will be light years ahead of New York City:

“Moon does not recommend the county open a shelter, citing capital costs and staffing/support costs to run it that may actually increase costs per person…  “…homeless persons should be provided emergency housing in a congregate setting leased and/or owned by the county.”"

The “shelter-first” model in New York City has led to the creation of a big, bloated, expensive shelter-industrial complex - spending $856 MILLION last year, to house an average of 38,000 people a day. New York City is a very different landscape than rural Columbia County, but one important factor is absolutely identical: people want housing, not shelter.

Enemy Mine - 25 Word Movie Review

Saturday, October 16th, 2010

How was this thing ever made? Big, messy, expensive, dumb as rocks. Ooh, it’s about the Cold War! Ooh, it’s about race! No, it’s idiotic.

Another Hidden Blessing/Curse of Working with Homeless People

Thursday, October 14th, 2010

…. massive amounts of perfectly-good delicious terrible starchy sugary treats, salvaged from the garbage.

One of our Board members, who spends a lot of nights in Grand Central Terminal, frequently comes in in the morning dragging a big sack of pastries from Zabar’s and Junior’s and Hot and Crusty and all the other vendors in the station, who have to throw their leftovers away at the end of the day, even though it’s in really good condition.

And I always say I won’t eat any. And I always do. And it’s always delicious. And it always makes me feel fat.




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Rubicon: Ten Episodes In….

Wednesday, October 13th, 2010

The first season of Rubicon is almost over, and I’ve been meaning to write up my thoughts. I’m glad I waited, because my thoughts after three episodes were a lot less positive than my thoughts now, after ten episodes. Solid from the start, but the first few episodes were not as strong as the recent ones. Here’s my high- and low-lights…

HIGHS.

1.Katherine Rhumor (Miranda Richardson): I’m such a sucker for a character who’s 40+ woman who is having to re-create her life. Especially when they’replayed by someone as amazing as Le Miranda.

2.Will Travers (James Badge Dale): HOT AS F*CK, in a weird way I keep trying and failing to put my finger on. I think it’s his lips. There’s something sullen and childish about them.

3. With a couple of exceptions (Grant Test (Christopher Evan Welch)), most of these characters are interesting and appealing in a broken damaged kind of way.

4. Truxton Spangler (Michael Cristofer): I just like this guy. I’m scared of him, but I like him.

LOWS.

1. For the first few weeks they were trying a little too hard to substitute breathy silence and meaningful stares and weird pauses for real tension… they still do it from time to time, but not as much.

2. Atlas MacDowell.  I’m sorry, but as a big evil corporation, this doesn’t cut it. We know barely anything about it. We’ve gotten no actual evidence that they’re bad… just that a bunch of roads lead back to them, but so what? They’ve got offices in Tribeca, for crying out loud. Of course they’re evil. But I need to see some more development of this.

My Last Mister Softee of 2010

Monday, October 11th, 2010

A suddenly warm day, after a week of frigid rainy October, and I’m at work on a Saturday, and there’s Mister Softee, with his music off, as if he knows it’s past his time and he doesn’t want to push his luck.




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Chuck Palahniuk is gay, I just learned. So maybe I should give his crummy books another chance.

Saturday, October 9th, 2010

Next Magazine has a great interview with my friend Tom Cardamone, and Tom’s brilliant as he always is, but the real eye-opener here was something the writer tossed off as an aside at the very beginning… the fact that Chuck Palahniuk is gay.

Wait, what?

So I went and researched it, and sure enough, it’s true.

Shit. Now I have to go read that crap again, and see if maybe I was dismissive of it because of all the hetero-testosterone love for Fight Club that fueled all the boys around me in college. I projected his fans onto him - and maybe not even his fans, but the fans of a movie made of one of his books, which we all know can be light years apart from the book itself. Maybe his writing is mimicking patriarchy so as to brilliantly dismantle it? I didn’t get a glimmer of that from actually *reading* him, but hey, books are half in the mind of the writer and half in the mind of the reader.

Caprica… [sighs]

Friday, October 8th, 2010

So… Caprica’s back on.

The season premiere was better than most of last season. Stuff is happening. Conspiracies. Assassinations. Whatever. The show just doesn’t do CHARACTER well, so as long as it focuses on moving the narrative forward everything’s okay. But good shows have to do both. And since it’s inevitable that this season will settle into another groove of “let’s spend five minutes of every episode talking about getting to Gemenon - but never actually going to Gemenon - and then five minutes talking about making a breakthrough with adapting the metacognitive processor - but never actually making a breakthrough with the metacognitive processor” I don’t have very high hopes.

If this show wasn’t set in the Battlestar Galactica universe, I’d have stopped watching by now.

One super awesome highlight: Meg Tilly as “Mother” was amazing… like a timid, awkward, dangerous lady pope.

André Leon Talley in an NAACP Muumuu…

Thursday, October 7th, 2010

… was far and away the most amazing thing about last night’s episode of America’s Next Top Model.

How did Tyra Banks suddenly get so much star power for this sagging, sad show? Matthew Rolston last week? Patrick Demarchelier next week??!

“Robot skeletons from millions of years ago.”

Wednesday, October 6th, 2010

(photo by Christina Steel)

Last night I had a fabulous reading with Alexander Chee and Lee Houck. They’re both such amazingly talented writers, and it was a joy and honor to be reading some gay shit with them (the title of this post comes from the excerpt Lee read; it’s in his BOOK, the one you should go buy) If you’re on Facebook, you can click HERE for the full photo album from last night.

I read a truncated version of my story “The Last Sleepover,” which was published in the latest issue of Gargoyle. Here’s a teaser… you can buy the whole issue HERE.

The Last Sleepover

by Sam J. Miller

By the time I got to Hettie’s house, most of the blood in the seat of my briefs had dried. My watch said midnight. I crouched on her porch, hands in pockets, ear against the door. A pane of ribbed glass rang alongside it, so you could see inside but only make out light and shapes.

“Temperatures will continue to fall as the storm moves east,” said Hettie’s television. “Record snowfall tonight, so plan on staying home tomorrow. And don’t venture out unless it’s absolutely necessary.”

Snow covered me. I rang the doorbell and the weather man went dead. Soon Hettie came towards the door, ghostlike, a bright glob.

“Hello?” Fear smeared her voice.

“Hettie, it’s me,” I said. “Shane. Timmy’s friend?”

No one makes dolls that look like old ladies. Babies and toddlers and buxom Barbie businesswomen, but never the aged. Yet the woman who opened the door was a doll—a tenth the size of the Hettie I remembered. Could Alzheimer’s erase body mass along with brain function? Cold wind hit her face, and she flinched. “Hello,” she said, and smiled. “What an ugly night!”

“Can I come in?” I asked. “Timmy’s still at work. He’ll be along soon.”

“Of course,” she said, and reached out to touch my shoulder. Maybe to make sure I was solid. Coming to her door at midnight and covered in snow, weeping, hooded, my face bright red from windburn and weeping, scarecrow skinny, I could have been the Angel of Death. I’d never have let me in.

Hettie shut the door behind me. Her home still had the scent of onions frying in butter, like ten thousand pots of goulash across fifty years, but that smell had grown faint. Pine-Sol and baby powder and shit held sway. I sat down on the bottom step of the staircase leading to the second floor. I’d never realized what a miracle it was, that human beings can build homes that hold heat. I’d never realized how hostile the world really was, how those pretty twinkling stars can smirk at your agony. My mouth was full of blood. My throat ached from running. I tried to take a deep breath and collapsed into coughing.

“Are you okay, honey?” she asked from the couch.

“Sure am. I just talked to Timmy. He’s working late at McDonald’s. He said he’ll be home in a couple hours.”

“Okay,” she said. Her head nodded gratefully. People with Alzheimer’s are constantly confused by new information. They’ll believe whatever you tell them. “Why don’t you wait here for him?”

“I think I will,” I said. “Do you mind if I go upstairs and freshen up?”

“Go right ahead,” she said.

She listened to me climb the stairs, then turned the TV back on.

Hettie’s husband was three months dead. Her Alzheimer’s was so advanced she really should have been in a home somewhere, but no one in her family seemed to be in a hurry to come make all the arrangements. They lived in other cities; they had problems of their own. So Hettie was held in limbo, haunting her own house, kept from complete collapse by a half-assed home health attendant. She’d live like that until a stroke or a tumble down the stairs took away her last shred of autonomy. Timmy lived in Providence, or possibly New Haven, and I hadn’t talked to him in months.

(Photo by Marco Rafala)

Deconstructing a Dreadful Sentence: Jane Austen Edition

Monday, October 4th, 2010

The American Book Review just put out a very interesting and thought-provoking list of the 100 best first sentences from novels. Glad to see so many of my favorites there, like “Happy families are all alike…” and “You don’t know me, without you have read a book…” and “Stately plump Buck Mulligan” and “Mrs Dalloway said she would buy the flowers herself” and “Ships at sea have every man’s wish on board” and “The sky above the port was the color of television, tuned to a dead channel.”

So far so good. But right up at the top they’ve got that one they always trot out, from Pride and Prejudice, which I think is such a bad sentence on so many levels, to the point where I’ve never read that book because it turns me off.

“It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.” —Jane Austen, Pride and Prejudice(1813)

I’ll call out just a few of its offenses.

1. Who starts a sentence with “It”? It’s annoying. Maybe in a blog post it’s okay, but in a book? It makes me say: what the f*ck is IT? From Writing.com: “It causes your readers to pause momentarily while they figure out what it is. It makes your sentences clumsy.”

2. “Universally acknowledged.” Really, Jane? Universally? So… peasant laborers in China and American oil magnates and trans sex workers have all somehow come to consensus on this issue? Jane Austen mistakes her rich European world for the universe, and it’s part of why I find her insufferable.

3. Tautology. “A single man… must be in want of a wife.” What if I said “It is a truth universally acknowledged that a young man in upstate New York must someday grow old” ? Meaningless. The thing that makes “Happy families are all alike; every unhappy family is unhappy in its own way” so brilliant is that it says something banal in a provocative, fresh way that compels me to read further. “Unhappy in its own way? what does that mean? hmmm…”

4. I hope that this statement is actually tongue in cheek, that it’s critiquing the universality of this assumption, that the rest of the novel is somehow a rebuttal of this sentence. And this tongue-in-cheek-ness is the last thing I want to critique here; it’s winking at me a little too hard, it’s a little too in love with its own drollness.

It’s Complicated - 25 Word Movie Review

Sunday, October 3rd, 2010

Delightful and utterly insignificant. What, I have more words? Damn. Predictable, unambitious, amusing but never quite funny. “Like a water-flavored Now and Later” - J.




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“Super Mario Brothers Sheet Music!!” or: “Sam’s Not the Only NES Music Nerd”!

Thursday, September 30th, 2010

It’s always comforting to find out that other people share one of your specific insanities.

For years, I’ve been a little bit ashamed of my intense, over-powering love for the music from old-school NES video games… a love that has driven me to create sheet music with transcription software, and spend lots of time practicing (even though my skills on the piano are slim to none), and then being too nervous about my nerdiness to ever play them in front of people… although there’s a video of me paying the Main Theme from Castlevania 2 here.

So you can imagine my excitement when I learned about MarioPiano.com, an incredible labor of love from some similarly-afflicted aficionado who:

“… Pulled out my professional engraving software and embarked on a meticulous and uncompromising transcription project that involved (i) transcribing every pitch and rhythm while listening to the original 8-bit NES recordings hundreds of times, voice by voice, note by note, in a loop, (ii) rigorously cross-checking my work with several of the best transcription attempts out there, (iii) arranging the visual layout and pagination for clear readability, and (iv) optimizing the piano fingering by learning the pieces myself and playing them every day for several months.”

Now if you’ll excuse me, I’ve got to print up a PDF and then pretend I’m the underwater level from Super Mario Bros…

“The Colony” is like “The Road,” and not in a good way…

Tuesday, September 28th, 2010

The Colony is a new show on the Discovery Channel. I’ve watched several episodes, and I find it deeply disturbing.

I think it’s the same reason I hated The Road - a little too much of a slog through the swamp of human abjection and suffering. It’s too real. I’m already nervous enough about the impending economic-environmental apocalypse, and the crumbling of societal structures, and the resulting rise of vicious cannibal-warlords. I don’t need to see the specifics. I don’t need to see screaming women held down by five guys and tied up and dragged away. I don’t need to know this much about the physical manifestations of slowly starving to death.

It’s a smart show, and a good show, just like The Road was really well-written… but I don’t find it enjoyable. I’m too nervous waiting for the next repugnant shit.