Life in Fiction 2017: Highlights as a Reader & a Writer

It’s been a rough year.

A lot of protests. A lot of phone calls to Senators. A lot of crying over awful things I can’t control.

Also, I had a book come out. That, and the fascist takeover of the government really kept me from doing as much reading as I wanted to do, even though good storytelling is more important than ever, in times like this.

But I did read some great fiction this year. And it helped me a lot.  I even published some stuff I’m proud of. So if you’re in an award-nominating kind of mood, or are desperate to escape this disappointing reality, or are just looking for something awesome to read, here’s my round-up of the best stuff written by other people, as well as the work of my own that I think is halfway decent.

The Art of Starving (HarperTeen). Young adult science fiction about a bullied small-town gay boy with an eating disorder (all of which I was) who believes that starving himself awakens latent supernatural abilities (which mine did not). Starred reviews from Kirkus, Publisher’s Weekly, & Booklist; Barnes & Noble called it “a novel with the power to change the world.” A Junior Library Guild selection. 
Making Us Monsters (co-written with Lara Elena Donnelly) (who accurately described it as “the anti-fascist gay time traveling epistolary WWI novelette about dangerous medical experimentation that you’ve all been waiting for!”) – Uncanny Magazine   
 The Future of Hunger in the Age of Programmable Matter –  A group of friends, a pair of lovers, and the tussle between love, addiction, and what comes next…. “Plus there are giant kaiju that destroy New York. So it’s got a lot going on. It’s a moving piece about longing and desire and shame and abuse, and it’s very much worth checking out. Go read it!” – Quick Sip Reviews 
The Ways Out – Clarkesworld. “It’s a story reflecting on prejudice, but also a story of hope, fighting back… one of found family and people overcoming loneliness” – Apex Magazine. Rocket Stack Rank said the end reveal is “delicious.” And Tangent said: “I was rooting for the characters after seeing snippets of their conversations and hints of their inner goals, and wanted them to beat the system spying on them.”  
Bodies Stacked Like Firewood – Uncanny Magazine. “As usual with Miller, this story is about love, loss and friendship and it features queer main characters” – the Curious SFF Reader.

And here are my favorite stories by other writers, from the past year [list in formation]:



New Story: THE FUTURE OF HUNGER IN THE AGE OF PROGRAMMABLE MATTER consistently publishes some of the most excellent short fiction, and I am so excited to finally have a story there!! Edited by Jonathan Strahan, “The Future of Hunger in the Age of Programmable Matter,” is described by as follows:

“A group of friends, a pair of lovers, and the tussle between love, addiction, and what comes next. Otto, a former addict, grateful and indebted to his lover Trevor, is faced with temptation and the threat of disaster, but he’s fighting it. Fighting it in a future where matter can be reprogrammed and anything could happen, good or bad.”

Read the full story, here!! 


Perhaps most excitingly, always includes an original illustration – mine is by Goñi Montes, and I’m in love with it:





Starred Review in Publisher’s Weekly for BLACKFISH CITY

First review for BLACKFISH CITY is in, and it’s a hell of a thing – a starred review from Publisher’s Weekly!! Here it is in its entirety:

“Miller, fresh from his YA debut (The Art of Starving), makes the jump to adult SF with an ambitious, imaginative, and big-hearted dystopian ensemble story that’s by turns elegiac and angry. The floating city of Qaanaaq was constructed after many mainland cities burned or sank. The arrival of a woman with two unusual companions—an orca and a polar bear—draws a disparate group together. Ankit, a political aide, wants to free her institutionalized birth mother; her brother, Kaev, is a brain-damaged fighter at the end of his career; Fill, a rich playboy, has the breaks, an illness that throws sufferers into strangers’ memories; and Soq, an ambitious nonbinary street messenger, is trying to hustle their way into a better life. Together, they uncover a dramatic series of secrets, connections, and political plots. Miller has crafted a thriller that unflinchingly examines the ills of urban capitalism. Qaanaaq is a beautiful and brutal character in its own right, rendered in poetic interludes. The novel stumbles only at the very end, in a denouement that feels just a little too hurried for the characters’ twisting journey.” Agent: Seth Fishman, Gernert Company. (Apr.)

California Events for ART OF STARVING

Oscar the Weiner poses with a copy of The Art of Starving. Photo by Kathy Rodriguez. Thank you, Kathy.

I’ll be doing readings from The Art of Starving in San Diego and San Francisco this month! If you’re in one of those places, stop by!

San Diego

Monday, October 9, 2017 – 7PM

Mysterious Galaxy

5943 Balboa Ave, Suite 100

San Diego, CA 92111


San Francisco Bay Area:

Tuesday, October 17, 7:30PM

Pegasus Books

2349 Shattuck Avenue

Berkeley CA


Wednesday, October 18 – 7:30PM

The End of the World Literary Cabaret

The Green Arcade Books

1680 Market Street

San Francisco CA

“57 Reasons…” in Russian Translation

Super proud and excited to share that I’ve been translated into Russian for the first time!

My story “57 Reasons for the Slate Quarry Suicides” has been published in Darker Magazine!! 

I majored in Russian Lit in college, so this is a particularly moving milestone.  I don’t remember enough of the language to be able to read this translation, but I am sure it’s amazing.




Toronto Star Interview: “Young Adult Writers Are Changing the Face of Blockbusters”

The Toronto Star, Canada’s largest daily newspaper, recently ran a fantastic article on the evolution of YA literature, called “Young Adult Writers Are Changing the Face of Blockbusters,” and I was honored to be interviewed for the piece!

Here’s the opener:

Before Sam J. Miller sold his debut novel The Art of Starving, structured into the 53 commandments that anorexic teen Matt follows to restrict what he eats and — just maybe — nurture mystical superpowers, he was nervous about how, well, adult his young adult novel was. “You’re cool with all the f-bombs and gay sex?” he asked Kristen Pettit, his editor at HarperTeen. “I think it has exactly the right amount of f-bombs and gay sex,” she reassured him.

“She supported me to take it to the limit of where it needed to go,” he says today of the subversive memoir based on Miller’s own experience with an adolescent eating disorder. “If you are going to tell a story about someone’s journey towards self-destruction you have to make it real for people.”

Matt is a painfully relatable underdog for teens and adults alike, even as his questionable decisions make him anything but a role model. But crafting teachable moments is hardly a prerequisite in today’s Young Adult sphere, where diverse, nuanced narratives have emerged as today’s blockbusters — see, for example, the breakout success of this year’s The Hate U Give by Angie Thomas, about an African-American girl whose best friend is shot by a white police officer, or YA giant John Green’s novels, which will be joined this fall with the upcoming Turtles All The Way Down, about a 16-year-old whose character was inspired by Green’s own struggles with mental health…

Make sure you read the rest of the article…



Photos & Video from the NYC Launch Party for THE ART OF STARVING

On July 18th, we launched THE ART OF STARVING with an incredible event at Parlor NYC!

I read from the book, had a great conversation with Asimov’s editor Sheila Williams, and answered some excellent questions from the audience. Then I signed a whole lot of books, sold by The Lit Bar, a magnificent pop-up shop currently raising funds to address the horrible injustice that the Bronx currently doesn’t have a single bookstore!!!

See below for just a few of the magnificent images. And my magnificent husband livestreamed the event, and you can watch it here!!!

Reading from THE ART OF STARVING….

I bask in the radiance of my editor Kristen Pettit (center) and my friend Maria Dahvana Headley (left), also part of Kristen’s astonishing literary brood!
In conversation with my good friend Sheila Williams, editor of Asimov’s Magazine.
Noëlle Santos, the mastermind behind The Lit Bar, handled book sales like a damn boss!
A lifelong dream comes true – my momma and my sister buying copies of my novel!!!
Just a few of my favoritest people on the planet.
Just a few more of my favoritest people on the planet.

My Schedule at OutWrite in D.C. this Weekend.

I’m excited to be traveling to Washington D.C. this weekend, for the OutWrite LGBTQ literary conference!

Held at the DC Center (2000 14th St NW, # 105, Washington D.C.), it’s a celebration of LGBT literature, authors, writers, and poets. On Saturday, August 5th, there will be a full day of readings, panels, book sales, and exhibitors. To finish the weekend, a number of writing workshops will be held on Sunday, August 6th.

On Saturday, at 2PM, I’ll be part of All the Feels: A Queer YA Reading, with M-E Girard, Jaye Robin Brown, Sam J. Miller, & Amanda Gernentz Hanson. Moderated by Rahul Kanakia.

And then at 5PM I will be on a panel called Dignified: On Writing Thoughtful Depictions of Disability & Mental Healthwith Sunny Moraine, Marlena Chertock, and Amanda Gernentz Hanson.

If you’re in the DC area, please come through to check it out – seems like it’ll be a fantastic couple of days.

All the Incredible Blurbs & Reviews & Best-ofs for THE ART OF STARVING

THE ART OF STARVING got some fantastic blurbs from some magnificent folks, and some very good reviews – and got put on a bunch of awesome lists – so here’s a round-up of all of them!!

“Matt’s sarcastic, biting wit keeps readers rooting for him and hoping for his recovery. In his acknowledgments, Miller reveals the story’s roots in his own teen experiences. A dark and lovely tale of supernatural vengeance and self-destruction.” – Kirkus (starred review)

** A Junior Library Guild Selection ** Editor’s Pick: Best YA Books of the Month

iBooks Best Books of July

Must-Read YA Books of Summer 2017 -Bookish

Best Bets for Fascinating Science Fiction/Fantasy/Horror – Kirkus

Must-Read Science Fiction & Fantasy Arriving in July – io9

16 SF/F/H Books to Read this July – the Verge

14 Best YA Novels Coming in July – Bustle

Most-Anticipated LGBT Novels of 2017– Barnes & Noble Teen Blog

7 Essential Fantasy Novels for July – Inverse

New YA Novels from First-Time Authors You Need to Read in the 2nd Half of 2017 – Bustle

Best New Young Adult Books, July 2017 – The Children’s Book Review

Also it was trending on Twitter!

“Miller’s heartfelt debut novel tackles difficult subjects with a bold mix of magical realism, tender empathy and candor. Matt is delusional and anorexic, but he’s also an admirably strong character who is out and proud, brilliant, creative, and determined to survive. It’s not always easy to find novels with troubled gay male protagonists who aren’t doomed, and Miller’s creative portrait of a complex and sympathetic individual will provide a welcome mirror for kindred spirits.” – Booklist (starred review)

“There is nothing romantic about debut novelist Miller’s portrayal of anorexia; his descriptions are often graphic and disturbing, and discussion of Matt’s future is brutally honest.” – Publisher’s Weekly (starred review)

“Sam J. Miller’s debut novel, The Art of Starving, is, perhaps, one of the most important books of the year… a novel with the power to change the world… If you have teenagers, know teenagers, or ever were a teenager, you should read it. If you’ve ever been an outsider, or you’ve ever been lonely, you should read this book. If you’ve ever felt love and heartache, this book is for you. And if you want to teach someone about empathy, friendship, and self-acceptance, buy. Them. This. Book.” – Barnes & Noble Science Fiction Blog

“Damn near perfect… A deeply tragic, if also deeply magical and hopeful story that breaks with expectations to subvert and challenge… perhaps the highest praise that I can give to this novel is to say I wish desperately I had read it when I was young myself.” – Book Smugglers 

“His narration is biting, sharply witty and possibly delusional; keeping readers in the moment with Matt and showing only his perspective is a brilliant choice by Sam J. Miller to allow readers full insight into Matt’s mind but keep the mysteries of Maya and Matt’s possible powers at bay. Miller’s powerful, provocative and daring work forces readers to question reality and how much of our world is shaped by what we see.” – Shelf Awareness

“If this debut sounds suspiciously like it will wreak havoc on your feelings, there’s a good reason for that: it totally will. But it’s so worth it, especially with the dearth of eating disorder books in YA starring boys.” – Barnes & Noble Teen Blog

“An extraordinarily vital and necessary book that deals with underrepresented characters, discussions of toxic masculinity, and the effects of bullying in raw and effective ways… the overall message of devotion and self-acceptance is beautifully told.” – RT Reviews

“Behind Matt is a vivid slice of struggling small-town family in a struggling small-town life, and it’s heartbreaking and credible to see how vulnerable on all sides this makes him and why any kind of power, even a self-destroying one, is something to be seized.” – The Bulletin of the Center for Children’s Books

“This blend of reality and magical realism is sure to be one of the most talked about books of the season.” – Bookish (“Must-Read YA Books of Summer 2017”)

“Sam J. Miller’s first novel, The Art of Starving, is a gut-wrenching and powerful read about a high school boy clamoring for acceptance… Matt’s journey will feel familiar and hopeful to any reader who’s experienced the precarious scramble for self-acceptance.” – Bookpages

“Funny, haunting, beautiful, relentless and powerful, The Art of Starving is a classic in the making.” — Book Riot

“THE ART OF STARVING is a gorgeous and heartbreaking book that had me saying “what the…?” while flipping pages so fast I barely cared about the answer to my own question… This is a book that I’ll want to read and re-read in order to glean those beautiful and sometimes painful truths that the author has hidden in Matt’s story.” – YA Books Central

“Exactly as wounding as its synopsis implies, but twice as profound. Framed as a rule book for aspiring superhumans like Matt, the novel is too tongue-in-cheek and bizarre to veer into the realm of the Morality Tale… a bruising and incisive story about a boy at war with himself.” –

“It may sound like this story romanticizes eating disorders, but Miller doesn’t shy away from showing the brutality and relentlessness of Matt’s illness. The result is a powerful, often beautiful, and believe it or not, sharply funny novel from Miller.” – Bustle

“The novel’s most distinctive and appealing aspect… is Matt’s own cynical, sarcastic, desperate, and thoroughly believable voice… Miller has by now earned the right to go a bit off the rails, and the novel ends up going exactly where he wants it to go, and where we do as well.” – Locus

“In this touching, harrowing, and self-aware story, Sam J. Miller deftly subverts expectations and blends conventions: the coming-out narrative, the superhero origin tale, Stephen King–esque horror. The result is a moving, original novel for anyone fascinated by the limits of self-control.” – iBooks

“This unique and well-written book is a dark, upsetting, and moving look at one boy’s experience with an eating disorder that will leave readers hopeful that he’s on the path to recovery, but maybe still doubting what has happened to Matt and what his future will hold.” – Teen Librarian Toolbox

“Miller’s novel is a stylistic tour-de-force in the way it creates a completely naturalistic, quirky, unique voice for Matt, never pandering or distractingly meta. Matt himself is made wholly believable by dint of what he chooses to share and what he chooses to gloss over. The Art of Starving is a deeply intelligent and sensitive novel peopled by unforgettable characters. Despite its title, it’s an embarrassment of riches.” – Intergalactic Medicine Show

“Beautifully rendered. This novel will break your heart and heal it again.” — Coretta Scott-King Award/ Newbery Honor/ National Book Award winner Jacqueline Woodson

“Completely mesmerized by this gorgeous gut punch of a novel… my fav book in recent memory.” – Mackenzi Lee, NYT-bestselling author of The Gentleman’s Guide to Vice & Virtue

“This book is an ache, a bruise, a slaughterhouse of a love story; every word is a blow, but every blow is an anthem. This is what truth feels and smells and tastes like, and it’s one magnificent monster.” — Margaret Stohl, bestselling author of the Beautiful Creatures series

“The Art of Starving is as mind-bending as it is heart-rending. Sam Miller has written a searing, daring, and unflinching story that I will not soon forget.” — Alex London, author of Proxy

“Brutal and brilliant, The Art of Starving seizes you and refuses to let you go. Matt is a complicated, compelling protagonist, and his raw emotional vulnerability is devastating. Hands down, The Art of Starving is the best book I’ve read this year.” — Alyssa Wong, winner of the World Fantasy and Nebula Awards

“The Art of Starving is a humane, deeply felt, heartbreaking novel, observed with an edge as sharp as broken glass. A supervillain coming-of-age novel that made me cry—my god, I loved this book.” — Alaya Dawn Johnson, Nebula and Norton Award winning author of The Summer Prince

“Sam J. Miller’s voice rings through his fiction, both short and long form, bearing important witness to pain and beauty in equal measure. (I refuse, in point of fact, to imagine a world without his voice.) With The Art of Starving — a wrenching look at a young man’s world turned inside out — Miller has given superpowers to a modern-day Holden Caufield and set the result loose upon the world. Haunting.” ~ Fran Wilde, Award-winning author of Updraft, Cloudbound, and Horizon

“As gritty with salted wounds as are all great fairytales, The Art of Starving is The Outsiders with superpowers. A quest to avenge his missing sister turns Matt into a self-perceived starvation saint. His journey from from addicted boy to recovering man should be shelved alongside the classic stories of unexpected salvation.” – Maria Dahvana Headley

“A biting debut, full of whiplash dark humor and heart.” – Roshani Chokshi, author of the Norton-Award-nominated THE STAR-CROSSED QUEEN.

Launch Events for THE ART OF STARVING

Two phenomenal launch events are coming up for THE ART OF STARVING – one in New York City, and one in my home town of Hudson, NY, where the novel is set. I’ll be reading from the book, and answering questions, and signing copies!! AND THERE WILL BE SNACKS. This event is free and open to the public and is wheelchair accessible. Copies of the books will be available for purchase, thanks to The Lit. Bar!!!

 Would love to see you at either one, if you can make it!



Parlor NYC – 286 Spring Street, NYC

Tuesday, July 18th, 7PM

[Click here for the Facebook event, and to RSVP]



Hudson Area Library – 51 North Fifth Street, Hudson NY 12534

Saturday, July 29th, 2PM

[Click here for the Facebook event]


“Calved” in Chinese Translation

My short story “Calved,” originally published in Asimov’s, has been translated into Chinese by the Future Affairs Administration!  And it’s gotten 17,000 page views.

The FAA is a very cool Beijing-based incubator for sci-fi talent, and they have recently launched an ambitious translation project to bring global SF to a Chinese audience. I’m honored that my story is part of that effort!!

If you know Mandarin, you can read the story here. 

New Story: “The Ways Out”

I have a new short story in the latest issue of Clarkesworld!

It’s called “The Ways Out,” and it’s about a government agent tailing a ten-year-old skateboarder girl who has potentially dangerous psionic abilities.

Rocket Stack Rank said the end reveal is “delicious.”

Here’s a clip from the middle of the story:

Surveillance Clip S643/R57.D018 [File Uploaded] Human Agent Summary

The girl is good.

S1 is a fast learner, seeming to suck up skill through osmosis. When S2 does jump tricks, he has this slight upward tilt to his hands. Utterly idiosyncratic; no one else does this. But S1 does. S2’s eyebrows unite in perplexed happiness.

They are hard to track, now. They move fast from spot to spot. Like they are looking for someone, or several someones. Difficult to follow unobtrusively. They say little. Mic jumps yield nothing but background noise and skateboard wheels spinning. Cross reference of their geocache tracks to known routes of illegal activity among variant individuals shows minimal overlap.

There are no files on her mother. This is unusual enough to be a cause of some concern. Cooperation requests submitted to partner agencies in several allied nations tasked with tracking variant individuals.

Go check out the whole story, if you’re so inclined!

“Things With Beards” is a Theodore Sturgeon Award Finalist

Finalists for this year’s Theodore Sturgeon Memorial Award for best short science fiction have been announced, and I am deeply honored to see that “Things With Beards” is on that list!

Finalists for the 2017
Theodore Sturgeon Memorial Award

Nina Allan, “The Art of Space Travel,”, 27 July 2016.
Amal El-Mohtar, “Seasons of Glass and Iron,” The Starlit Wood: New Fairy Tales, eds. Dominik Parisien and Navah Wolfe, Saga Press, 2016.
Carolyn Ives Gilman, “Touring with the Alien,” Clarkesworld, April 2016.
Victor LaValle, The Ballad of Black Tom,, February 2016.
Ian R. MacLeod, “The Visitor From Taured,” Asimov’s, September 2016.
Sam J. Miller, “Things with Beards,” Clarkesworld, June 2016.
Dominica Phetteplace, “Project Empathy,” Asimov’s, March 2016.
Catherynne M. Valente, “The Future is Blue,” Drowned Worlds, ed. Jonathan Strahan, Solaris Books, 2016.
Kai Ashante Wilson, A Taste of Honey,, 13 October 2016.

This makes three award nominations for my story, joining previous nominations for the Nebula Award and the Shirley Jackson Award. But it’s an incredible line-up of amazing stories, and I’d be honored to lose to any of them.

From their website:

The awards will be presented during the Campbell Conference Awards Banquet on Friday, June 16, as part of the annual Campbell Conference.

The Theodore Sturgeon Memorial Award recognizes the best science fiction short story of each year. It was established in 1987 by James Gunn, Founding Director of the Center for the Study of Science Fiction at KU, and the heirs of Theodore Sturgeon, including his partner Jayne Engelhart Tannehill and Sturgeon’s children, as an appropriate memorial to one of the great short-story writers in a field distinguished by its short fiction.

Starred Reviews in Booklist & Publishers Weekly

Two more starred reviews for THE ART OF STARVING – from Publisher’s Weekly & from Booklist!!

In their review, Booklist said:

“Miller’s heartfelt debut novel tackles difficult subjects with a bold mix of magical realism, tender empathy, and candor… Matt is delusional and anorexic, but he’s also an admirably strong character who is out and proud, brilliant, creative, and determined to survive. It’s not always easy to find novels with troubled gay male protagonists who aren’t doomed, and Miller’s creative portrait of a complex and sympathetic individual will provide a welcome mirror for kindred spirits.”

Publisher’s Weekly’s review said:

“Matt is a master at suppressing his urges, but there is nothing romantic about debut novelist Miller’s portrayal of anorexia; his descriptions are often graphic and disturbing, and discussion of Matt’s future is brutally honest. As Matt’s body deteriorates and his “powers” reach new levels, readers must decide for themselves what is and isn’t real.”

Go read the full reviews! THEY ARE AMAZING.


TWO Shirley Jackson Award Nominations!

The Shirley Jackson Award nominations were just announced, and I am up in NOT ONE BUT TWO different categories!!

I’m honored to be included on this incredible roster of fantastic writers. Many of them are familiar faces, friends and idols of mine, but others are new to me, and I can’t wait to read their awesome work.

The awards are given out at Readercon, in Boston, in July. Gonna try my damnedest to make it!

Reading at KGB Fantastic Fiction

Me and my teacher/hero Holly Black at the January 2017 edition of KGB Fantastic Fiction [photo by Ellen Datlow]
In 2012, as a newly-hatched Clarion graduate, I saw my teacher Jeffrey Ford read at KGB Fantastic Fiction, and since then I’ve dreamed of one day being part of the series. Matt Kressel and Ellen Datlow have done such a phenomenal job of curating a monthly event where super huge stars and all-around goddamn geniuses and rising lights of the genre perform for a small, intimate, enthusiastic crowd.

And so it is a dream come true to announce that I will be reading at KGB on May 17th

…along with my friend and fellow Altered-Fluid-member/old-school-Nintendo-game-addict E.C. Meyers.

You know you want to come:

Wednesday, May 17th, at 7pm

KGB Bar (website): 

85 East 4th Street (just off 2nd Ave)

New York, NY 10003 (map)

Starred Kirkus Review for ART OF STARVING

Incredible news: THE ART OF STARVING just got a starred review from Kirkus!!  They say fantastically awesome stuff like:

“In first-person journal format, Matt schools readers on the art of starving as he toes the line between expiration and enlightenment, sparing no detail of his twisted, antagonistic relationship with his body. Matt’s sarcastic, biting wit keeps readers rooting for him and hoping for his recovery. In his acknowledgments, Miller reveals the story’s roots in his own teen experiences. A dark and lovely tale of supernatural vengeance and self-destruction.”

Go read the whole thing RIGHT NOW

I’ll wait

right here

with Tariq

in his truck

First Time in Polish Translation!

My short story “Calved” has been published in the Polish science fiction/fantasy magazine “Fantastyka”! Marking my debut in the language of about 30% of my family tree.

Alas, I do not know Polish, so I can’t say how good or bad the translation is. But the magazine itself looks fantastic, and the original art they did for my story is wonderful:


Protest Tips and Tricks for SF/F Creators & Consumers

The magnificent, crucial Uncanny Magazine has given me a column called #Resistance101, to talk about community organizing for science fiction & fantasy creators & consumers, and my first one is out now! Just another reason for you to support, subscribe, and spread the word about their excellence.

For starters, I wanted to keep it super simple, and give some easy & important protest tips I wish someone had told me when I first started going to a ton of actions. Here’s a teaser!

Bring water, and snacks. Don’t go overboard—you gotta carry all this stuff around, after all—but it’s good to have a Go Bag at the ready. Oreos are excellent because you can share.

Talk to people. Make friends. Possibly with Oreos! Protest is less about convincing enemies than about building power and relationships with friends, and bringing new people into the work.

Charge your devices before leaving. Bring an external battery if possible. Turn off your phone when the battery falls to 10 percent, so you save something for emergencies.

Check the weather beforehand. Prepare for temperature extremes.

Also! My so-called credentials:

I’ve been a community organizer for fifteen years. I’ve helped organize hundreds of direct actions, ranging from tame sidewalk rallies to occupations of government office building lobbies to tent cities on vacant bank-owned properties. I’ve gotten arrested in Central Park at a midnight protest; I’ve been illegally barred from public legislative hearings; I was detained by the Secret Service while protesting outside the 2004 Republican National Convention.

Here’s the thing, though. I’m not some badass fearless radical fuck-the-man kinda dude. I am the exact opposite. Abusive cop encounters as a kid scarred me for life. I started out just making signs for protests, because I like to draw. I was scared shitless the first time I stared down a line of police officers. But that only lasted a minute. Because there were a lot of us, and we were fighting something evil. That’s the first lesson: you don’t need to be brave on your own, because you will be brave together.

2016 Nebula Ballot Includes “Things With Beards”

This year’s Nebula ballot is out, and I am super proud and happy to see that my short story “Things With Beards” is on there!

The rest of the ballot is pretty incredible, with tons of friends and heroes on there. I would be super excited to lose to my BFF Alyssa Wong AGAIN this year, or to anyone else in my category, because they are all fucking fantastic writers.

I wrote this story after the thousandth time I watched John Carpenter’s The Thing, and started debating with some friends about whether or not the people killed and replaced by the alien actually knew that they were aliens. I think the general assumption is that the Things know what they are, and are consciously acting like humans in order to better isolate and then assimilate other humans  – but what if they didn’t? What if, as Blair says in the film, “here is an organism that imitates other life-forms, and it imitates ’em perfectly,” to the point that every memory and aspect of identity is intact? How would such a creature behave? And if you were one, how would you know the difference? And if you couldn’t tell… does that mean there is no difference? Besides the fact that maybe you were killing lots of people?

The result is a piece of gay fanfic that used an 80’s horror film to tell a story of AIDS, passing, masculinity, and Black resistance to police brutality! This nominations is ON TOP OF being included FOUR different best-of-the-year anthologies! Specifically: THE YEAR’S BEST SCIENCE FICTION, V.34 (edited by Gardner Dozois);  THE BEST SCIENCE FICTION AND FANTASY OF THE YEAR VOL.11 (edited by Jonathan Strahan); YEAR’S BEST SCIENCE FICTION & FANTASY, 2017 Ed. (edited by Rich Horton); and BEST SCIENCE FICTION OF THE YEAR – VOL. 2 (edited by Neil Clarke)!!!

Three Spots on the Locus Recommended Reading List

The Locus Recommended Reading List for 2016 is out, and I’m excited to see I’m on there three different times!!

So much incredible science fiction and fantasy and horror was published in 2016, and this whole list is full of magnificence.

“Things With Beards” will appear in FOUR best-of-the-year anthologies!


My short story “Things With Beards,” originally published in Clarkesworld, has been selected for inclusion in FOUR different best-of-the-year anthologies! Specifically: THE YEAR’S BEST SCIENCE FICTION, V.34 (edited by Gardner Dozois);  THE BEST SCIENCE FICTION AND FANTASY OF THE YEAR VOL.11 (edited by Jonathan Strahan); YEAR’S BEST SCIENCE FICTION & FANTASY, 2017 Ed. (edited by Rich Horton); and BEST SCIENCE FICTION OF THE YEAR – VOL. 2 (edited by Neil Clarke).

Not bad for a piece of gay fanfic that used an 80’s horror film to tell a story of AIDS, passing, masculinity, police brutality, and resistance!

…. madness.

First Review for ART OF STARVING

Book Riot ran this incredible review of ART OF STARVING, the very first one to come out. And I love it so much.


“Shirley Jackson Award winner Sam J. Miller’s YA contemporary debut novel is unlike anything I have ever read before, and combines magical realism, dark humor, evocative imagery and prose, and a deep, huge heart to tell a story of loneliness, addiction, body image, first loves, coming out, and self-acceptance. Funny, haunting, beautiful, relentless, and powerful, The Art of Starving is a classic in the making, and Matt’s journey will resonate with many, teens and adults alike, for years to come. It’s not out until early July, but I wanted to put this on your radars now; I’ve got a feeling it’s going to be big. Verdict: Buy it because maybe you were lost and lonely once, and then maybe buy one for someone lost and lonely, too.”

and now might be a good time to remind you that you can add the book on Goodreads, and then go over and pre-order it on Amazon!

Jacqueline Woodson blurb for ART OF STARVING!!

My debut novel THE ART OF STARVING got its first blurb, and it’s a mind-blowing one. The incredible Jacqueline Woodson, winner of the National Book Award & the Coretta Scott King Award & the Newbery Honor Medal AND A BILLION OTHER AWARDS said:

“Beautifully rendered.  This novel will break your heart and heal it again. I found myself leaning forward as I read it, barely aware of myself turning pages.  So excited for Sam’s voice in the world.”

I’m a huge admirer of Jackie’s work [for real, go read Another Brooklyn, which was robbed for the National Book Award this year – Colson Whitehead’s The Underground Railroad was wonderful, but Another Brooklyn is on some next level special], and so honored that she liked my book.

Check out THE ART OF STARVING on Goodreads. ALSO, it’s available for pre-order on Amazon!

I am Eating the Fantastic.

Me, lounging in the hospitality suite at the Baltimore Book Festival

On Scott Edelman’s fab podcast “Eating the Fantastic,” he interviews science fiction & fantasy & horror writers over an awesome meal… and I’m the guest on the latest issue, out now!! It was the first vegetarian episode, recorded at Baltimore’s One World Cafe during the Baltimore Book Festival.

Here’s what Scott has to say about the episode:

My guest who stole away from the Inner Harbor to join me this episode is Sam J. Miller, a writer who’s been nominated for the Nebula, World Fantasy, and Theodore Sturgeon Memorial Awards, and who won the Shirley Jackson Award for his short story “57 Reasons for the Slate Quarry Suicides.” And who last shared a meal with me during the 2015 Nebula Awards weekend at Alinea, considered to be one of the Top 10 restaurants in the world. His debut novel, The Art of Starving, will appear from HarperCollins in 2017.

We discussed the value of community within the science fiction field, the transformative piece of advice he received from Ted Chiang while attending the Clarion Writers Workshop, how one deals with reviews that are more politically than artistically motivated, the way 9/11 changed horror movies, the importance of the life and works of the great Thomas M. Disch, and more.

You can:

And Subscribe to Eating the Fantastic now so you never miss an episode!


Life in Fiction 2016: Highlights as a Reader & a Writer

wp-1480451168053.jpg2016 was a rough year personally, and, uh, also, existentially. Prince died! And David Bowie! and… racist misogynist fascists took over the US government.

So I read a lot of fiction, this year. And it helped me a lot. And I believe that in the coming years, we’ll need fiction more and more.

If you’re in an award-nominating kind of mood, or are desperate to escape this disappointing reality, or are just looking for something awesome to read, here’s my round-up of the best stories written by other people that I read in 2016. I’ve also included the two pieces I’m proudest of, from 2016 – conveniently located in two separate award categories:

Short Story: Clarkesworld, Issue 117, June 2016

“Things With Beards”

Semi-sequel to The Thingusing John Carpenter’s gnarly monster to tell a story of AIDS, gay liberation, police brutality, & passing.  Locus said “The story is a tangle of metaphors that knot perfectly together. …joins others of Miller’s, such as last year’s ‘‘The Heat of Us’’, as a startling and intelligent engagement with queer history through a science fictional lens.” And Peter Watts, author of “The Things,” said “It’s fucking amazing… TWB can’t seem to go for a single paragraph without making some new, visceral, political observation/metaphor.” 

Novelette: Nightmare Magazine, Issue 40, January 2016

Angel, Monster, Man

sketch5220376-1.jpgIt’s the height of the AIDS crisis. Three friends, gay men overwhelmed with rage and sadness, who’ve inherited suitcases and boxes and garbage bags full of unpublished work from fellow writers killed by the virus, invent Tom Minniq: a collective pseudonym under which to publish all that orphaned work. Tom becomes a literary superstar, but he doesn’t stay on the page. And he starts acting out their anger in ways that they couldn’t anticipate, and can’t control.

And here are my favorite stories from the past year [list in formation]:

Guest Editorial in Analog: “Someone Else’s Apocalypse”

wp-1480086295307.jpgI’m proud to have a guest editorial in the current issue of Analog Science Fiction & Fact!

“Someone Else’s Apocalypse” is about what twelve years as a community organizer working with homeless folks has taught me about how we’ll all deal with the coming collapse of civilization. I wrote it back in May, when I was imagining that rising seas and global conflict over water would render us post-apocalyptic in a couple decades… and now, for some strange reason possibly having to do with the US presidential election, I am feeling like the apocalypse is significantly more imminent now…

Huge thank-you to Analog editor Trevor Quachri for soliciting this piece!

Here’s a taste. For the full thing, pick up the December 2016 issue of Analog!

William Gibson famously remarked that “the future is here—it’s just not very evenly distributed.” This is commonly understood to describe the juxtaposition between one part of the earth’s population existing in a “future” where technological and social advances have made many of science fiction’s most beloved dreams come true, and another part of the earth’s population existing in a “past” to which technological and medical advances have not yet trickled down, subject to hardships and sicknesses and that the developed world left behind long ago. Cell phone assemblers in China, for example, endure sweatshop conditions as bad as anything during the Industrial Revolution, in workshops so bad that some workers are driven to suicide, while the Silicon Valley executives whose products they put together work from lavish, high-tech fortress homes.

I suspect, however, that the William Gibson comment contains a certain degree of ominous prophecy. The “future“ that has already arrived, that snuck in without anyone noticing it, is not the tech-enabled utopia we spent the latter half of the twentieth century waiting for, the one we mostly see outside our windows, lacking only jetpacks and hoverboards and interstellar travel. The future is not the tech utopia where we carry computers in our pockets capable of accessing the sum total of human knowledge at any moment.

That world, alas, is the past. The future that’s here, unevenly distributed, is the post-apocalyptic wasteland. The future is dystopia, and its population is growing.

Turn on the nightly news and you’re likely to see refugees. Displaced masses from Syria and Yemen and Afghanistan and more. People who’ve survived dangerous passages, and lost loved ones in that same process. Hungry, frightened, traumatized. Standing outside the gates of safe places they’re barred form entering.

But refugees from foreign countries aren’t the only ones living in their own personal post-apocalypse….

“Things With Beards” in YEAR’S BEST SCIENCE FICTION & FANTASY, 2017 Ed

yearsbest2017The complete table of contents for Rich Horton’s The Year’s Best Science Fiction & Fantasy, 2017 Edition has been released – and it includes my short story “Things With Beards,” originally published in Clarkesworld.

Here’s the full list of incredible stories contained in this year’s edition. I’m so honored to see my story alongside so many other fab folks.

On a very narcissistic side-note, this is the first time that my name has appeared on the cover! Usually I’m just subsumed into the AND MORE down at the bottom….

  • “Seven Ways of Looking at the Sun-Worshippers of Yul-Katan” by Maggie
    Clark, Analog
  • “All that Robot Shit” by Rich Larson, Asimov’s
  • “Project Empathy” by Dominica Phetteplace, Asimov’s
  • “Lazy Dog Out” by Suzanne Palmer, Asimov’s
  • “The Visitor from Taured” by Ian R. MacLeod, Asimov’s
  • “Openness” by Alexander Weinstein, Beloit Fiction Journal
  • “In Skander, for a Boy” by Chaz Brenchley, Beneath Ceaseless Skies
  • “Laws of Night and Silk” by Seth Dickinson, Beneath Ceaseless Skies
  • “Blood Grains Speak Through Memories” by Jason Sanford, Beneath Ceaseless Skies
  • “Rager in Space” by Charlie Jane Anders, Bridging Infinity
  • “Ozymandias” by Karin Lowachee, Bridging Infinity
  • “The Bridge of Dreams” by Gregory Feeley, Clarkesworld
  • “Everybody from Themis Sends Letters Home” by Genevieve Valentine, Clarkesworld
  • “Things with Beards” by Sam J. Miller, Clarkesworld
  • “Innumerable Glimmering Lights” by Rich Larson, Clockwork Phoenix 5
  • “Between Nine and Eleven” by Adam Roberts, Crises and Conflicts
  • “Red of Tooth and Cog” by Cat Rambo, F&SF
  • “The Vanishing Kind” by Lavie Tidhar, F&SF
  • “A Fine Balance” by Charlotte Ashley, F&SF
  • “Empty Planets” by Rahul Kanakia, Interzone
  • “Fifty Shades of Grays” by Steven Barnes, Lightspeed
  • “I’ve Come to Marry the Princess” by Helena Bell, Lightspeed
  • “RedKing” by Craig deLancey, Lightspeed
  • “A Non-Hero’s Guide to The Road of Monsters” by A.T. Greenblatt, Mothershipship Zeta
  • “Dress Rehearsal” by Adrian Tchaikovsky, Now We Are Ten
  • “The Plague Givers” by Kameron Hurley, Patreon
  • “Gorse Daughter, Sparrow Son” by Alena Indigo Anne Sullivan, Strange Horizons
  • “The Magical Properties of Unicorn Ivory” by Carlos Hernandez, The Assimilated Cuban’s Guide to Quantum Santeria
  • “Something Happened Here, But We’re Not Quite Sure What It Was” by Paul McAuley,
  • “That Game We Played During the War” by Carrie Vaughn,

The Future of Science Fiction in Trump’s America

Over at Inverse, Ryan Britt asks the question: what is the future of science fiction in Trump’s America? And he was good enough to ask my opinion, and to give me the last word in his article!

Go read it! “President Trump Will Lead to Darker, Defiant Science Fiction

The short version: the future looks terrifying, for so many of the communities who Trump and his allies have targeted, and we’re going to need outlandish stories even more in the outlandish times ahead.

I gave Ryan more to work with than he was able to include in the finished article, but here’s the full quote:

“Trump’s election hasn’t told us anything we didn’t already know. For many of the most important and powerful voices in the genre, now as in the past, profound racism and misogyny and xenophobia and homophobia are far too real already. Think of The Handmaid’s Tale, about a far-right anti-woman Christian fundamentalist takeover of the US government, or Octavia Butler’s Parable books – a trilogy that she couldn’t complete because it was too traumatic to dig any deeper into a dystopia that Reagan’s America had come to resemble far too closely. Today, writers like Alyssa Wong and N.K. Jemisin and Usman Tanveer Malik and many others are singing terrifying brilliant songs of our not-so-brave not-so-new world of drone bombings, hate crimes, and genocide.

“What will change, I think, is how people respond to science fiction. The future of science fiction in Trump’s America is that people will need it more.  As the world grows darker and stranger, we will need dark and strange stories. That has always been a function of the genre. To help us hope and imagine better worlds and wondrous technologies, yes, but also to help us grieve, and understand, and grow stronger, and fight back.”


New Novel Sale: BLACKFISH CITY, coming from Ecco Press in 2018

Incredible news: my novel BLACKFISH CITY has sold to Ecco Press, for release in April 2018!

Unlike my debut THE ART OF STARVING, forthcoming in 2017, this one isn’t young adult. A mysterious woman arrives in the floating Arctic city of Qaanaaq, in a future where rising seas have caused dramatic geopolitical changes. She’s accompanied by an orca and a polar bear, on a mission that might be bloody and might be beautiful and might be both. Here’s what Publisher’s Weekly had to say about it [under its working title THE BREAKS]:


They incorrectly identify me as a Hugo nominee (I was long-listed last year, but not a finalist!) but otherwise IT IS ALL TRUE. I adore Ecco Press and am so excited to be part of their family, and I love Zack’s work as an editor. Big love and gratitude, as always, to my magnificent agent Seth Fishman.

PS here’s a bad sketch I did, of the main character:


Interfictions Fall 2016 – Guest Edited by Carmen Maria Machado and I!

The latest issue of Interfictions is out now, the second and final one for which Carmen Maria Machado and I served as guest fiction editors. We had space for two stories, and we chose a pair of magnificent ones.

“She Hides Sometimes” by Nino Cipri

The linen closet disappeared first. Or maybe it was just the first thing that Anjana noticed, the morning her parents moved into the nursing home.

Mana Langkah Pelangi Terakhir? (Where is the Rainbow’s Last Step?) by Jaymee Goh

I was sitting on the edge of the drain outside the school fence, doobying on my Samsung, trying to make it show me the time even when it went idle, when I got the text message from an ex-colleague telling me Pelangi Hussein had passed away.

Go. Read them now. Don’t wait for awards season when everyone else is talking about them and you feel like a bandwagon late-comer.

wp-1478143567850.jpgAnd then read the rest of the issue. Because, as always with Interfictions, there is so much to startle and delight and confuse you, in the best possible ways. I’m so proud to have been a part of it, even if only as a guest.

HUGE THANKS, once again, to Carmen, for asking me to serve as her co-editor. And a second shout-out to the real heroes of both our issues, the fearless insightful wise and tolerant slush readers! Christian Coleman, Eugene Fischer, Val Howlett, Susana Marcelo, Patrick Ropp, Gabriela Santiago, and Isabel Yap read the 500+ stories that arrived during our two-week submissions window last time around, and identified enough solid stories that we had some overflow into this issue.


“Best American Science Fiction & Fantasy 2016” is out now

wp-1475614535356.jpgThe second edition of Houghton Mifflin Harcourt’s fantastic “Best American Science Fiction & Fantasy” has been released, and for the second year in a row I am in it!

My story “The Heat of Us: Notes Toward an Oral History,” originally published in Uncanny Magazine and subsequently nominated for a World Fantasy Award, is in there alongside magnificent work by Rachel Swirsky, Maria Dahvana Headley, Kelly Link, Ted Chiang, Sofia Samatar, Kij Johnson, Charlie Jane Anders, Seth Dickinson, and so many more. And while the series as a whole is edited by the unfailingly brilliant John Joseph Adams, the final choice on stories in this particular edition was made by my hero Karen Joy Fowler.

tl;dr BUY IT NOW 


Here is the “story note” about the origins of my contribution:

The seed of “The Heat of Us” was planted on the night Donna Summer died. I was walking home from work, feeling pretty blue – I think “Bad Girls” is probably the second-best album of all time – looking across at the sad lonely lights of the city coming on, all those people by themselves, all the separate sadness that a certain group of people would be feeling. And I remembered that the Stonewall Uprising happened on the night that Judy Garland died. And I thought “revolutions are born on nights like this.” But that seed didn’t break into blossom until I attended the Clarion Science Fiction & Fantasy Workshop and I saw how exponentially my writing improved through being part of a community of writers and readers, how I could share their strengths and (hopefully) lend them mine. So this is a story about community – about how people are stronger together than separate, and how when we work together we can achieve things so incredible they’re indistinguishable from magic. 

In the Locus Spotlight

An awesome thing: Locus Magazine interviewed me for their rad “Spotlight On” series! It’s a real honor, and I’m very happy with the result.  Here’s a taste:

More and more, I think it’s the storyteller’s job to insert the idea of ‘‘justice’’ into a world where it is so profoundly lacking, to show people that what we yearn for, what we fight for, can come to pass. Empires will fall; our oppressors will be punished; our suffering will be redeemed. The world we actually live in is profoundly unfair and unjust and cruel, but stories can help us escape – and imagine better ones. Our privilege and our oppression will be inverted. Our good acts and our wicked ones will be returned upon us. The ending might not be happy, but it will be just.

You can read the whole interview here. 

Big love & gratitude to Tim Pratt, Arley Sorg, Liza Groen Trombi, and the whole Locus Team!!


“The Heat Of Us” is a World Fantasy Award nominee!

This week the ballot for the 2016 World Fantasy Award was released, and I was totally magnificently flabbergasted to see that my story “The Heat of Us: Notes Toward an Oral History” is a finalist!

The seed of “The Heat of Us” was planted on the night Donna Summer died. I was walking home from work, feeling pretty blue – I think “Bad Girls” is probably the second-best album of all time – looking across at the sad lonely lights of the city coming on, all those people by themselves, all the separate sadness that a certain group of people would be feeling. And I remembered that the Stonewall Uprising happened on the night that Judy Garland died. And I thought “revolutions are born on nights like this.” But that seed didn’t break into blossom until I attended the Clarion Science Fiction & Fantasy Workshop and I saw how exponentially my writing improved through being part of a community of writers and readers, how I could share their strengths and (hopefully) lend them mine. So this is a story about community – about how people are stronger together than separate, and how when we work together we can achieve things so incredible they’re indistinguishable from magic.

wp-1468421725380.jpgAnd lest we think of Stonewall as ancient history, the Bad Old Days when Homophobia Ruled the Earth, the recent massacre at Pulse nightclub in Orlando only serves to underscore the extent to which hatred and patriarchy still rule our world. The day after the mass murder, some people posted and tweeted that my story was helping them process the horror, which is probably the highest compliment I’ve received as an author. I can think of no more important role for an artist than to help people imagine a world where the tables get turned on the monsters who would roll up with guns on a crowd of people just trying to have fun.

Just as exciting as the nomination itself is the fact that I’m up against two of my favorite writers and people, Alyssa Wong and Amal El-Mohtar, both of whom I was up against for the Nebula this year as well, and against whom I FOUGHT AN EPIC SERIES OF MESSY, BLOODY, FIERY MAGICAL BATTLES, captured here for posterity.

wp-1468421875908.jpgHuge love to: Uncanny Magazine for publishing it, and for publishing so many other amazing stories – Lynne M. Thomas & Michael Damian Thomas & Michi Trota are truly doing magnificent work; C.S.E. Cooney for doing such a phenomenal job reading my story for the Uncanny Podcast; Holly Black & Cassandra Clare for critiquing the shit out of this in workshop at Clarion; my fellow Clarion 2012 Awkward Robots, who this story is ACTUALLY ABOUT;  all the people who read and reviewed and blogged and tweeted and talked about it, including, but not limited to, A.C. Wise, John Joseph Adams, Sarah Pinsker, Amal El-Mohtar, Charles Payseur, Sunil Patel, Rachel Swirsky, Jose Iriarte, Liz Argall, Wole Talabi, Emma Osborne, K.M. Szpara, Fran Wilde, Deborah Stanish, Shelley Streeby, Joshua Johnson, Bo Bolander, Fred Coppersmith, Tony Quick, K. Tempest Bradford, Magaly Guerrero, Deanna Knippling, Lara Donnelly, Didi Chanoch, Anthony Cardno, @genrebending, Brian at… [APOLOGIES to anyone I forgot/left off! contact me and I’ll add you]


New Story: “Things With Beards”

My new story “Things With Beards” is out now in Clarkesworld!

Essentially a fanfic sequel to John Carpenter’s The Thing, my story follows MacReady after the events of the movie, returned to his life with his memory full of weird holes.

When MacReady is not MacReady, or when MacReady is simply not, he never remembers it after. The gaps in his memory are not mistakes, not accidents. The thing that wears his clothes, his body, his cowboy hat, it doesn’t want him to know it is there. So the moment when the supply ship crewman walked in and found formerly-frozen MacReady sitting up—and watched MacReady’s face split down the middle, saw a writhing nest of spaghetti tentacles explode in his direction, screamed as they enveloped him and swiftly started digesting—all of that is gone from MacReady’s mind.

cw_117_700And he’s watching AIDS ravage his community. And he’s supporting the work of Black liberation activists who are fighting to stop the cops from brutalizing communities of color. And he might be killing lots of people.

Apex Magazine said “As is typical of Miller’s work, “Things With Beards” delivers a satisfying emotional punch, and serves as an excellent example of contemporary fiction in conversation with a SFF classic.”

Re-watching the film recently, it occurred to me that I really don’t think that people who’ve been killed and replaced by the Thing are aware that they’re Things. This is a contentious topic in Thing fandom, evidently. But I started to think through – what would happen if they didn’t know? How would they behave? How does the Thing function?

Inverse said “A direct sequel to John Carpenters 1982 film The Thing, the short story not only asserts the characters MacReady and Childs as monstrous “things” but more importantly, gay men. Using science fiction to comment on the plight of oppressed or marginalized people is a proud tradition, but what’s telling here is that Miller plucks cinematic characters from an iconic horror/sci-fi film and inserts them into prose.”

Best SF said “another strong story from Miller.”

Tangent Online saidIt wasn’t until the very end of this story that I finally understood the central point Miller was making—what The Thing, itself did —with this one change. Masks. Those masks that we wear every day, hiding our true selves from even the people we love. Very well done, and recommended.”

Editor Neil Clarke said “this is going to piss a lot of people off,” and I think he may be right!

Guerrilla Lit Reading, 5/25: Me, Ryan Britt, Lev Grossman

On May 25th, I’ll return to the fantastic Guerrilla Lit reading series, where I performed way back in March 2009, for a special science fiction night, alongside the brilliant Ryan Britt (you should go now and read everything he ever wrote at and NYT-best-selling-author Lev Grossman.

You should come!


DIXON PLACE: 161A Chrystie St., b/w Rivington & Delancey.

Nearby Subway Stops: F to 2nd Avenue; J, Z to Bowery; 6 to Spring; M to Essex; B/D to Grand

Free Admission

The Guerrilla Lit Reading Series has hosted regular readings of emerging and established authors in New York City since 2007. Because the pen is mightier than the Kalashnikov (we hope).

Curated by Lee Matthew Goldberg, Marco Rafalá, Nicole Audrey Spector, and Camellia Phillips

From the event website:

Lev Grossman is the author of five novels, including the #1 New York Times bestselling Magicians trilogy. The Magicians books are published in 25 countries and have been praised by, among others, George R.R. Martin, Audrey Niffenegger, John Green, Joe Hill & Erin Morgenstern. An hour-long drama series based on them is currently airing on Syfy. Grossman is also Time magazine’s book critic & lead technology writer, and he has written essays & criticism for Salon, Slate, the New York Times, the Wall Street Journal, Wired, Lingua Franca, the Week, the Village Voice and the Believer, among others. His journalism has earned him a Deadline award, and the New York Times has called him ‘‘one of this country’s smartest and most reliable critics.’’ He has made frequent appearances on NPR and at festivals, conferences & universities all over the world. He lives in Brooklyn with his wife & three children.

Sam J. Miller is a writer & a community organizer. His fiction is in Lightspeed, Asimov’s, Clarkesworld & The Minnesota Review, among others. He is a nominee for the Nebula and Theodore Sturgeon Awards, a winner of the Shirley Jackson Award, and a graduate of the Clarion Writer’s Workshop. His debut novel The Art of Starving is forthcoming from HarperCollins. He lives in New York City.

Ryan Britt is the author of Luke Skywalker Can’t Read. He has written for The New York Times, Electric Literature, The Awl, VICE Motherboard, Clarkesworld Magazine, and is a consulting editor for Story Magazine. He was the staff writer for the Hugo-Award winning web magazine, where he remains a contributor. He lives in New York City.

Sigourney Weaver, in conversation about Aliens

On April 26th, the Town Hall in New York City held a 30th-anniversary screening of Aliens (4/26; the film takes place on the planet LV-426)… followed by a conversation and audience Q&A with Lt. Ripley herself, Sigourney Weaver. AND SOMEHOW I WAS IN THAT ROOM!!!

She said lots of amazing stuff. This is me, trying and probably failing to capture some of the highlights.

“I haven’t seen this film for many years, and it’s great to see it on the big screen with such an appreciative audience. It’s so magnificently constructed as a story. All the Marines are such wonderful characters, so beautifully played. In Alien, we didn’t get the chance to really know Ripley, with all her levels. I love her isolation at the beginning of Aliens, the fact that she’s outlived everyone she knew, the world she knew is gone – but The Company doesn’t change.”

“People being in danger is a great catalyst for Ripley – in her mind, she’s earning the right to stay alive. In a situation like that, you do what you have to do. You don’t have time for thought and emotion, and maybe you don’t want those things anyway.”

“The Queen wants to protect her children, too. The face-off at the end between the two mother figures is so important to the themes of motherhood and nurturing that are throughout the film.”

“Using the bazooka was very cathartic for someone who’d been fighting for gun control. I get so excited when I read a script that I don’t always read all the stage directions, so I was very surprised to see so many guns on set, and when I mentioned to Jim ‘I’m not sure about all these guns, you know I’m against guns,’ he said ‘I suggest you read the script again. Because it’s pretty much all guns, all the time.'”

“Unfortunately, I think we have more corporations like Weyland-Yutani now than we did when we made this movie. There’s such an emphasis on profit over everything, no matter the personal or environmental costs – when Paul Reiser tries to justify his actions, these are comments you could read in the paper tomorrow: ‘What we’re doing here is really valuable,’ ‘You don’t understand,’ ‘There’s a lot of money invested in this.’ If anything, our society is going further in this direction, which for me makes Aliens more resonant.”

“In Neill Blomkamp’s sequel, we see a lot more of Ripley and Hicks. It’ll happen, but we have to wait until after Prometheus 2. In fact I just finished a project with Neill that I can’t tell you about, but it was really exciting.”

“In Aliens I was so grateful to have a role where I could get the job done without some skimpy outfit, or something super glamorous. I mean, I don’t want to horrify audiences – I’m sure I wore some makeup, but getting glammed up wouldn’t make sense for this character or what she had to do. I was really fortunate to work with a director who respected that. It’s true that Ripley is a great woman character, but by the end she’s acquired a lot of Everyman, and there’s something that lots of different people can identify with.”

“Gale Ann Hurd [producer of Aliens and tons of other amazing stuff, including The Walking Dead] is very cool and calm and Ripley-like, very diplomatically making everyone move in the same direction.”

“Science fiction is one of the rare spaces in this business where you can tell original stories. And it doesn’t get the respect; critics can’t get their heads around it. This is an exploration of what it means to be human. This is what happens if you don’t take care of climate change.”

The Q&A was mostly full of ridiculous waste-of-Ms-Weaver’s-very-important-time questions (“why didn’t the Alien make a cameo in Ghostbusters? That was a real missed opportunity” (“because we had enough to worry about already”) & “if there was a movie that combined Aliens with Star Trek and Star Wars, would you be in it” (“no”)), but there were a couple of bright spots –

The audience member who said “This is the first time I’ve seen Aliens again since doing two tours in Iraq, and I wanted to tell you that your portrayal of PTSD is so real, it was almost difficult to watch. It really resonated with my experience and that of many people I served with, and I wanted to thank you for your portrayal.”

And when somebody asked her why she hated the Alien vs Predator movies, Sigourney said “Well, I don’t hate them, because I haven’t seen them, because I heard that the Alien doesn’t beat the Predator, and I thought, well, fuck that.”

Sigourney Weaver, in conversation, after a 30th-anniversary screening of Aliens
Sigourney Weaver, in conversation, after a 30th-anniversary screening of Aliens

2015 Nebula Ballot Includes My Story “When Your Child Strays From God”

The Science Fiction and Fantasy Writers of America released the ballot for this year’s Nebulas, and I was so pleased that my story “When Your Child Strays From God” is a nominee in the Short Story category! Because wow, what a lineup of wonderful writers who I’m honored to be able to call colleagues. And as the fabulous K. Tempest Bradford points out in this excellent video, it’s a big victory for marginalized voices – 79% of the nominees are NOT straight cis- white men!!

But this nomination is such sweet agony, because while the whole ballot is fantastic, the Short Story category is especially magnificent. As I’ve said elsewhere, Amal El-Mohtar’s “Madeleine” is one of the two best stories of the year (tied with Sadie Bruce’s “Little Girls in Bone Museums”), and Alyssa Wong’s “Hungry Daughters of Starving Mothers,” like everything Alyssa does, has a gorgeous ability to flay the flesh from the human heart.

You can read my story here:

When Your Child Strays From God”

Here are what some reviewers had to say:


“… an evangelical Christian pastor’s wife dealing with the sinful rebelliousness of her teenage son… a really cool made up drug that sounds absolutely transformative and I want to try it (along with a few close friends… very close)… Miller excels at blending cool speculative ideas with characters and situations very much grounded in our world.” – i09 Newstand

“It’s kind of unnerving how well the story explores the intricacies of the woman’s relationship with her son, the woman’s own self-image and outlook on life. It would have been easy to make her something of a monster. Or, I guess, it does make her something of a monster, but a very human one, one that is easily recognizable… It’s an amazing story, people, and you need to go out and read it now. Go, go and read and I will find a tissue and probably something to drink. Because damn.” – Charles Payseur, Quick Sip Reviews

“The story hooks us with its humor and then moves into vulnerable territory in order to make its point… moving and lovely.” – Tangent 



Life in Fiction 2015: Highlights as a Reader and a Writer

Writing-wise, I had a pretty good 2015. The rest of my life was a miserable mess, but I did all right with my writing. In fact, the best thing ever in my life (selling my novel!) happened 24 hours before the worst thing ever in my life (my father’s passing).

So, yeah. A shitty year, but also an awesome one. Here are my stories that came out in 2015, and the stories that I loved that were written by other people, all of which I think you should think about if you’re in an award-nominating kind of mood, or just looking for something awesome to read.

Calved” in Asimov’s

Probably the story I’m proudest of, from the past year. It was selected for inclusion in three “Best of the Year” anthologies. It’s been published in translation in Czech & Hebrew. Gardner Dozois said in Locus “The best story here is new writer Sam J. Miller’s emotionally-grueling Calved… the twist ending… arrives with the slow inexorableness of a Greek tragedy and strikes with brutal force. Grim stuff,  but compelling.” And the magnificent Jason Sanford “When I finished this story I wanted to scream. I wanted to punish Miller for writing something which so gut my emotions. I wanted to hug him for creating a story so beautifully captivating and so perfectly devastating to read. “Calved” by Sam. J. Miller is one of the year’s best stories and will likely be on my Hugo and Nebula Award short list. Seek this story out and read it.” You can read “Calved” for free over at my website.

Ghosts of Home,” in Lightspeed

“The best story in the August Lightspeed comes from Sam J Miller, who has repeatedly impressed with his first several stories, and who shows a lot of range. “Ghosts of Home” is about the housing crisis of 2008 and its effects on people like the main character Agnes and her mother, but it’s set in a version of our world where household spirits are real.” – Rich Horton, in Locus

When Your Child Strays From God” in Clarkesworld

“… an evangelical Christian pastor’s wife dealing with the sinful rebelliousness of her teenage son… a really cool made up drug that sounds absolutely transformative and I want to try it (along with a few close friends… very close)… Miller excels at blending cool speculative ideas with characters and situations very much grounded in our world.” – i09 Newstand

The Heat of Us: Notes Toward an Oral History” in Uncanny 

“…puts a supernatural twist on the Stonewall Riots, an important event in the gay rights movement… the story does an excellent job of capturing a moment in time, the injustice of the police, the desperation of men and women trying to find a place to be… a call for change that can easily be brought forward from the past and unpacked in the present.” – Tangent

To Die Dancing in Apex

“Clive has survived the country’s fall into a Revival, a conservative fascism where women are seen and not heard, where everyone works and toils, where the state has access into the minds of every citizen… It’s a heartbreaking story, one that builds tragedy over tragedy, failure over failure, and in the beauty of its prose and the humanity of its characters it whispers a warning. That there are things worth fighting for. That survival is not enough if it exists at the expense of others. Go read this story. Go now.” – Charles Payseur, Quick Sip Reviews

wpid-sketch20113227-1.jpgI also read a ton of great stuff in the past year, so, if you’re in an award-nominating mood, here are some of the things I loved [I missed a ton of great stuff, I am sure, and I will be updating this post in the next couple weeks as I go through my notes and paper mags and email to ensure I’ve captured all the awesome stuff I loved]

New horror story out today: “Angel, Monster, Man,” in Nightmare Magazine

My story “Angel, Monster, Man” has just been released by Nightmare Magazine.

It’s the height of the AIDS crisis. Medications that will help manage the illness are a decade away. Three friends, gay men overwhelmed with rage and sadness, who’ve inherited suitcases and boxes and garbage bags full of unpublished work from fellow writers killed by the virus, invent Tom Minniq: a ghost writer, a collective pseudonym under which to publish all the orphaned work of brilliant writers whose careers were cut short. And while Tom becomes a literary superstar, he doesn’t stay on the page. And he starts acting out their anger in ways that they couldn’t anticipate, and can’t control. And each of them, in turn, is visited by a very different Tom Minniq.

sketch5220376-1.jpgThis story took shape in my mind while reading gay fiction and poetry of the 1980’s. [*] You can’t help but be struck by the staggering volume of young, fresh, powerful, innovative artists whose voices were silenced by HIV/AIDS before they’d had a chance to change the world like they clearly would have. And not just writers – the editors, agents, critics, audiences who supported and built these voices… it’s hard not to come away feeling like fiction was in the middle of a real revolution in terms of storytelling and voice and content and attitude, which was strangled in its crib by a deadly disease and a toxic homophobic patriarchy. But I started thinking: what could have happened, if all that rage and talent and fire hadn’t been snuffed out? What if it came to life and changed everything? All the powerful words that went unwritten, or were written and lost because there was no one left to get them out into the world – what if they all added up to something real – and terrifying?

It’s the first horror story I’ve written since “57 Reasons for the Slate Quarry Suicideswon the Shirley Jackson Award for horror/dark fiction, and while I love horror it’s not the place where I feel most comfortable as a writer. But this is a story about the things that terrify me, and I’m happy with it. And I hope you like it.

Podcast of the story is here, read by the great Stefan Rudnicki!

There’s also an interview with me about the story, here, in which I say some pretentious stuff like this:

I believe the bottom line is that it’s our job as humans to fight monsters – with the full knowledge that our understanding of monstrosity will always be imperfect and limited. 

[*] If you’re looking to explore these exciting voices, start with these two great anthologies of poetry from writers lost to HIV/AIDS: Things Shaped in Passing (edited by Michael Klein and Richard McCann), and Persistent Voices (edited by David Groff and Philip Clark)

Issue #6 of Interfictions, co-guest-fiction-edited by me, is out now.

When my dear friend and writing hero Carmen Maria Machado asked me to be her co-editor for the fiction section of two issues of Interfictions, the journal of the Interstitial Arts Foundation, I immediately assumed some sophisticated hacker with intimate knowledge of my most specific desires had hacked her email account. Because I adore Interfictions, and the crucial work of the Foundation. I had volunteered to work on the IAF’s IndieGoGo fundraising appeal the year before because I believed in their mission, and the beautiful things they shepherd into the world.

Now, many months later, our first issue is out in the world. AND IT IS AMAZING!!!

Click here for the Fall issue of Interfictions, in its entirety.

There is so much excellent stuff in this issue. And not just the fiction, which Carmen and I are very proud of. There’s phenomenal stuff curated by arts editor Henry Lien, as well as nonfiction and poetry co-editors Alex Dally MacFarlane and Sofia Samatar, “intoxicating mixes and beautiful clashes of language, mythology, and memory,” as the editors’ note so aptly puts it…

Several of the issue’s pieces deal with family: in “A Primer on Separation,” Debbie Urbanski provides a heartbreaking how-to manual for navigating the gulf that opens up between parent and child, while Lisa Bradley’s “glass womb” reaches into the obscure and frightening territory between siblings. Shveta Thakrar tells a slipstream story of how our mothers’ gifts help us, and sometimes fail us, in “Shimmering, Warm and Bright.” In “Answering Crow’s Call” by Alina Rios, family history falls like a thunderclap.

Moving from personal history to spiritual heritage, “Psychopomp” by Indrapramit Das looks at life and death through the lens of Hindu philosophy in the shadow of a cosmic tsunami. In “Assemble”, theatre dybbuk, in collaboration with the Center for Jewish Culture, Leichtag Foundation, and the New School of Architecture and Design, create a unique theatre/dance/architecture piece inspired by the ancient ritual surrounding the harvest festival of Sukkot. Along with these works that engage some of the world’s oldest cultural forms, you’ll find lively interactions with more recent literature: Amy Parker reimagines the young girl of Nabokov’s Lolita, Matthew Jakubowski follows a critic who is trying to write about Mercè Rodoreda’s novelWar, So Much War, and Lauren Naturale searches for lesbian history in the imaginary space of historical fiction. Uche Ogbuji’s “The Furies of Mad Max” engages a contemporary film narrative, while Rebecca Gould’s translations of five ghazals by Hasan Sijzi (d. 1337) bring to English contemplations on gardens, birds, swords and wine.

These works ask how we perceive the world and how we communicate. Such questions lie at the heart of Nneoma Ike-Njoku’s “Old Ghosts,” which conjures the other world through sound, and “Perhaps, perhaps” by Saudamini Deo, which traces the limits of photography and ultimately the limits of sight. In Rebecca Campbell’s “I Just Think It Will Happen, Soon,” a woman and others like her are beckoned by an urgent, pulsing mystery beyond the realm of most people’s perception.

Finally, in a special roundtable dedicated to translation, the Bulgarian, German, Hebrew, Hungarian and Japanese translators of Ann Leckie’s Ancillary Justice talk about the changes and inventions required to represent the novel’s gender ambiguity and female pronoun usage.

I must take a moment to acknowledge the real heroes here, our fearless insightful wise and tolerant slush readers! Christian Coleman, Eugene Fischer, Val Howlett, Susana Marcelo, Patrick Ropp, Gabriela Santiago, and Isabel Yap all read a staggering volume of contributions – in a submissions window of only two weeks, we received over five hundred stories!!! Many of them amazing! Many (many!) of them… not. But thanks to these hard-working and astute judges of literary quality, we knew which were which.

Seeing it online, now, with all these incredible stories we chose, alongside so many other exciting works of poetry and prose and art and all the ineffable categories in between, makes me feel proud in a totally different way from the pride I feel seeing something of mine in a table of contents. It’s more parental, almost, or like what a teacher must feel. “I have helped someone do something awesome; I am helping someone shine,” instead of “I am shining.” I understand why people are editors. These people are wonderful people. Because editing is hard. It is super super hard.

And, oh, hey, writers – as Carmen said so well on her blog:

We’ll be guest-editing the spring issue, as well. If you’re thinking about submitting, a note about stuff we saw in this submission pile: For some reason, we received quite a few stories that, while they were excellent, were not in any way interstitial. Not in form, or genre, or anything. They were straight science fiction/fantasy/realism, and traditionally told at that. The problem is that even if these sorts of stories blow our socks off, we can’t publish it in Interfictions, which is a space for weird, hybrid, unclassifiable work. (The Interstitial Arts Foundation defines interstitial art here.) So we wanna see the stuff of yours that doesn’t fit anywhere else. Send it to us! *makes grabby hands*

The full list of stories from the issue is here:

Pay what you want for the “Orange Volume” anthology – a fundraiser for the Clarion Writer’s Workshop

I credit the Clarion Science Fiction and Fantasy Writers’ Workshop with 100% of the amazing good fortune I’ve had in the past three years. The stories I’ve sold, the awards I’ve been nominated for, the magnificent friendships I’ve formed with incredible writers and editors and agents and readers – none of that could have happened if I hadn’t been fortunate enough to end up as part of the Clarion class of 2012…. aka THE AWKWARD ROBOTS. (for a mere taste of all the wisdom and awesome that I absorbed at Clarion, check out this list of 300+ pieces of writing advice from our workshops!)

My brilliant teachers and classmates made me so so so much better than I was, and for 40+ years the Clarion Workshop has been spawning amazing new science fiction and fantasy and horror writers… Octavia Butler, Ted Chiang, Cory Doctorow, Nalo Hopkinson, Kelly Link… the list is overwhelming, and well-nigh-endless.

Because we were so transformed by the experience, as people and as writers, my class is committed to keeping the Clarion experience alive. So for the second year in a row, we Awkward Robots have created an anthology of short fiction that’s available for sale as a fundraiser for the Clarion Foundation! These are original stories you can’t find anywhere else, from fucking amazing writers, some of whom are already setting the genre on fire, and the rest of whom are ABOUT to do so. The Awkward Robots’ Orange Volume is a collection of stories from the Clarion UCSD class of 2012, proudly presented as a fundraiser for the Clarion Foundation.


BoingBoing says:

“Time traveling gamers, levee-breaking mermaids, and frayed sanity on the first manned mission to Europa. It’s all packed between the pages of The Orange Volume. The cohesive Clarion class of 2012 is at it again. Last year they released The Red Volume and raised $1,500 for the Clarion Foundation. This year–just in time for Halloween–they’re following up with The Orange Volume.”

It features fifteen original stories, and is offered for a limited time on a pay-what-you-can basis. It comes in multiple, DRM-free e-book formats (epub/iBooks, mobi/Kindle, and PDF). All proceeds (after hosting fees) will be donated to the Clarion Foundation

Or, you can also donate directly via PayPal to


THE FULL CAST OF THE AWKWARD ROBOTS! l-r: Lisa Bolekaja, Pierre Liebenberg, Deborah Bailey, Sam J. Miller, Luke R. Pebler, Sadie Bruce, E.G. Cosh, Daniel McMinn, Eliza Blair, Eric Esser, UCSD director Shelley Streeby, Sarah Mack, Lara Elena Donnelly, Danica Cummins, Joseph Kim, Jonathan Fortin, Chris Kammerud, instructor Jeffrey Ford, Carmen Maria Machado, Ruby Katigbak


First-Ever “Best American Science Fiction & Fantasy” Contains My Story “We Are The Cloud” (!!)

The “Best American” series is justifiably revered, consistently gathering up the best of the best in different fields of American writing and serving it up on a best-selling platter. Like most writers I’ve always dreamed of seeing myself in its pages – and I sort of did, a couple years ago, when my short memoir piece “The Luke Letters” was an “Honorable Mention” in Best American Essays 2013

So when I heard that there was going to be a Best American Science Fiction & Fantasy, my first thought was incredible excitement that Houghton Mifflin Harcourt would be bringing the same series magic to my favorite fiction genres. And when I heard that John Joseph Adams was going to be the series editor, well, then I knew that the series would live up to its name.

AND YET, in spite of that, SOMEHOW, my Nebula-nominated novelette “We Are The Cloud” was included in the inaugural edition! A fact that is even more unbelievable when you see that the other authors in there include incredible folks like Carmen Maria Machado, Alaya Dawn Johnson, Kelly Link, Sofia Samatar, Karen Russell, Theodora Goss, and T.C. Boyle! highlighted my story in their review of the anthology, saying:

“Sam Miller’s Nebula-nominated short story, “We Are The Cloud,” is a painful look at disenfranchisement, technology, power, and fleeting human connection in a world that only wants to use and hurt you, and how to fight systems and institutions designed to keep you under a heel.”

So did the fab blog SF Signal, saying:

“One of my personal favorites in the entire collection. Filled with the type of fantastically simple prose that lets you sink deep into a robust world, complex character relationships, and a heartbreaking story about what it means to be alone in the digital age.”

You can buy this book in LITERALLY EVERY BOOKSTORE PRACTICALLY. And online. But you should buy it in a bookstore. Because bookstores are awesome.

And so is this book.


“Ghosts of Home” is Out Now in Lightspeed!

The August 2015 issue of Lightspeed Magazine contains my story “Ghosts of Home.”

There’s an interview with me about the story here. 

And an audio version, read marvelously by Roxanne Hernandez, here! 

Rich Horton wrote this very kind review of it in Locus:

“The best story in the August Lightspeed comes from Sam J Miller, who has repeatedly impressed with his first several stories, and who shows a lot of range. “Ghosts of Home” is about the housing crisis of 2008 and its effects on people like the main character Agnes and her mother, but it’s set in a version of our world where household spirits are real. Agnes’s job is to placate the household spirits of foreclosed homes. She’s not supposed to directly interact with them, but when one manifests as a really attractive young man, she has a hard time resisting. It sounds sweet, but the core of the story is much less so, with rapacious banks, sad houses, and a soured relationship between the somewhat messed-up Agnes and her also messed-up mother.”

Over at i09, K. Tempest Bradford said this:

The main thing I love about this story is that it empathizes with a type of person who doesn’t often get empathy. We often hear about those mysterious people out there who vote against their own interests or support politicians, policies, and official actions that harm them personally or harm their community. Writing such people off is easy. Understanding how it is they got to that place isn’t, and that’s one of the things Miller tackles here. I also love the idea of houses having spirits that must be appeased once the house is empty for too long. Highly Recommended.


Tangent said:

What makes this interesting is the broken protagonist’s struggle to survive in the dog-eat-dog world of the financial collapse. The protagonist’s stakes in deciding how to handle choices are raised by a recovering-addict’s history of bad decisions, complicated by personal relationships with the local spirits the bank requires its contractor to placate but otherwise ignore… By imbuing homes with souls, insecurities, and emotional risks, the story places the foreclosure crisis on an entirely nonfinancial plane. The protagonist’s successive decisions to act human, instead of enforcing a bank’s soulless values on its surroundings, each invite wonder whether each represents a mistake – like that last descent into addiction’s grip in a decision to score – or represents a step toward redemption. It’s an exciting story with a feeling of real emotional stakes, set in a world built seamlessly and without pause while characters’ actions rivet readers.


24 MORE HOURS to submit to Interfictions for the issue I’m guest-editing!

I’m guest-co-fiction-editing two issues of Interfictions Online, the amazing magazine of genre-bending and genre-breaking and genre-ignoring prose and poetry and art and more. AS IF THAT WASN’T EXCITING ENOUGH, my co-editor is my Clarion sister and Nebula competition fellow-nominee and all-around idol Carmen Maria Machado!

But the submission window is closing fast. AS IN, YOU’VE GOT 24 MORE HOURS to send us – as Carmen put it – “your weird, your beautiful, your impossible-to-categorize.”


For real. 

“Calved” is out now from Asimov’s

My short story “Calved” is in the September issue of Asimov’s! You can also read it here. 

I’ve been submitting stories to Asimov’s off and on since I was 14 (I’m not too proud or vain to admit that that’s 22 years ago), so it’s overwhelmingly awesome to have finally gotten a story in such a great venue.

Over at Locus, Lois Tilton wrote:

“Father and son story in a near future when the Arctic melting and the rise of the oceans has led to a flood of refugees; North Americans are generally unwelcome, and Dom is relatively fortunate to have found a place on a floating city and grunt work on iceboats. The only good thing in his life has been the son whom he can only see when he gets back from three-month work shifts on the boats, but now, looking at Thede, he sees a stranger who seems to hate him… This scenario is the most science-fictional in the issue, realistically depicting likely consequences of global climate change.”

The awesome Jason Sanford wrote a really great review as well, saying in part:

“Dom is desperate to change his son’s opinion. And to accomplish this he … does something which will haunt me for years to come.

“When I finished this story I wanted to scream. I wanted to punish Miller for writing something which so gut my emotions. I wanted to hug him for creating a story so beautifully captivating and so perfectly devastating to read.

“Calved” by Sam. J. Miller is one of the year’s best stories and will likely be on my Hugo and Nebula Award short list. Seek this story out and read it.”

Asimov’s is sold in newsstands and bookstores everywhere. AIRPORTS, EVEN. You can also order a copy online, or get an excellent e-book edition for your digital reader. Check it out. It’s got a tiger on the cover. And my story inside. MY STORY INSIDE.


This is really happening.

My debut novel, The Art of Starving, will be published by HarperCollins. It’s young adult, science fiction, super dark and edgy and messed up.

Publishers Weekly ran this story on Tuesday, July 21st:

“Kristen Pettit of HarperCollins has bought THE ART OF STARVING by Sam J. Miller; it’s a novel about a gay, bullied, small-town boy with an eating disorder who believes that starving himself awakens a latent ability to read minds, predict behavior, and control the fabric of time and space. Publication is planned for spring 2017; Seth Fishman at the Gernert Company brokered the deal for North American rights.”

oh, hey, scuse me for a minute

::rolls around on the floor sobbing::


Honestly I don’t even think it’s sunk in yet, not fully. I’m beyond ecstatic to have found such a marvelous home for this book that means so much to me. I owe everything to my brilliant agent Seth Fishman, and to my beloved writing comrades in the Clarion class of 2012 and in Altered Fluid, who, besides providing the love and support and great critiques that have helped polish whatever dull shard of talent I might possess, also gave incredible feedback on the messy messy first draft of this book.

Most importantly, I owe a ton of love and gratitude to my family, my husband Juancy and my sister Sarah and my mom, but especially to my father, Hyman Miller, who for the past seven years exemplified strength and hope and fearlessness in his fight with cancer. Two weeks before this deal, dad said “I just want to see you publish a book before I die,” and we finalized this book deal the day before he passed away. So while this has been a really tough couple of weeks for me and my family, I’m so proud and happy that he knew I had achieved this life goal.

And to celebrate this novel about a sad boy with an eating disorder, here, have some pictures I drew, of happy chubby gay guys (based on the incredible work of the Japanese manga doujinshi artist SUV).