Publishers Weekly “Best of the Year” and Kirkus Starred Review for BLACKFISH CITY

BLACKFISH CITY appeared on Publishers Weekly’s list of the Best Books of 2018!! Here’s what they had to say:

“Miller’s ambitious and driven first novel for adults is a smashing story of everyday life on a floating city after a climate apocalypse. While tackling class, technology, politics, and more, Miller never loses sight of the human beings at the heart of his story, producing a deeply empathic and lovely work of science fiction.” 

In addition – an eerie six months after the book’s release, when one has long despaired of seeing any further reviews – Kirkus gave a coveted starred review to BLACKFISH CITY! And said lots of nice things about the book. “Harsh and lovely” is the kinda thing I’d gladly put on my tombstone:

…Populated by the refugees and descendants of refugees from nations destroyed by social upheaval and environmental disasters, Qaanaaq is run by software while political and economic power rests in the hands of landlords, crime gangs, and the ultrawealthy, never-seen shareholders. But what was once a relatively stable system is headed for a shakeup as the gulf between the haves and have-nots widens. Someone is transmitting subversive broadcasts about life in Qaanaaq; a gang lord is planning her ascent to the ranks of shareholders; a woman seeks to help her mother, who’s imprisoned, perhaps unjustly, in an ultrasecure mental hospital; a brain-damaged fighter is pressured into becoming an enforcer; an ambitious courier becomes a spy; and the grandson of a shareholder contracts a sexually transmitted disease that fatally afflicts its carriers with the memories of the previously infected. But true chaos only enters the city with Masaaraq, a tough warrior woman who travels with her psychically bonded orca and a chained polar bear. She has a very specific reason for coming to Qaanaaq, and she does not care whom she harms or what plans she disrupts in the course of fulfilling her purpose. Although it has its bleak and very violent moments, there’s also a certain amount of optimism in this story, which ultimately proves to be about family and the hard-won strength of those who survive against all odds. Author and professional activist Miller (The Art of Starving, 2017) allows his passion for advocacy—for people desperately clinging to their hope for a home, exploited minorities, and those outside the cishet dichotomy—to inform and structure his fiction but in such an integral and yet casual way that it never feels preachy.

Harsh and lovely.